Posted on April 16, 2004 in Writing
Good reading slows me down. Three novels and Harper’s Magazine filled the spaces between the volumes of poetry and other books that I read. All full of fine words and bright images. One day after my monthly deadline to fill a notebook, I have twenty pages to go.
Nonfiction doesn’t slow me like this. It often causes me to drop the reading in mid-paragraph to jot down an argument or a thought. I make up for the loss of fiction by creating my own. When Barbara Kingsolver becomes my cellulose lover, however, I allow her to take me by the hand and lead me into Appalachia or the Arizona Desert. I stay indoors, flipping pages, ignoring the pens and the notebooks that I bought to advance my skills as a writer.
The brown notebook is covered by pages and pages of unpublishable poetry. I look at the pages and wonder what is to blame? Is it the yokels who lifted some of my stuff from this page a few weeks ago? When I asked one of them to seek my permission next time, he blasted me as rude on his pages. Do I want to write for people like this, who want my stuff and don’t care about my person?
You’re supposed to write for yourself, but what I have been doing for myself is reading good stuff. And as I said, when you read good stuff, you tend not to create good stuff. I am a bit harsh on the material I’ve created, I’ll admit. Every first draft looks like shit, as Anne Lamott tells us. The trouble must be that what I get from Kingsolver is the wine, not the freshly crushed grapes. My quality thirsty mind seeks the latter, guzzles it up, and lets my own crop go to waste.